Opening of Season VI – Blauw. Ceci n’est pas une couleur
— September, 15 2017
Season VI -Blauw. Ceci n’est pas une couleur
Piet Stockmans & Frederik Vercruysse, duo Show
Vernissage: Thursday 28 September 2017, 18.00 – 22.00
The exhibition runs from 29 September 2017 until 4 February 2018
Stockmans and Vercruysse share that culture of minerality which is the focus of Spazio Nobile’s exhibitions. By reducing ornamentation in their essential and existential approach, the two creators give form to the idea of Blauw. Ceci n’est pas une couleur. More than a pigment, it is a primary colour that oscillates on the border between shadow and light: the ultramarine of cobalt, from sky to sea, from the still image to the porcelain piece. The communion occurs: Stockmans’s Tower in Blue, Tower of Babel and Examples of a Landscape are variations on the theme of life, human fragility and entropy.
BLUE : AN ARTISTIC MEDIUM?
Mystery and a feeling of gravity, the shadows expand, the light diffuses across the surfaces of the works, colour floods the material, opaque or translucent. Swaths of colour, flat and low-angled light. The composition is paramount and primordial. The lines are frontal, rather like portrait photography. The blue blends with other colours, and is made palpable through the frosted glass. Vercruysse abstracts the composition by reframing the images on the rolled glass through which can be seen the colour. The blurred translucidity, the presence of coloured shadows, the absence of decoration, bring the aesthetic to the forefront. The control of the rays of light preserves the intensity of the colour, while creating a sensitive, intimate, oceanic construction, which he himself calls Atlantic. The same holds true for the Vivaio / Blue Moon diptych that he decomposes and punctuates graphically. Fattoria / Blue Tiles, GV Window, Pool Blue, Garden, End of the Day, Yellow Tape and Paint Pot are all abstract variations on architecture and on colour that fades and revives in the light. The blue delineates the spaces, creating the illusion of volume, as with Stockmans’s vases with collapsed collars. The spectator is left free to appropriate the work. L.C.
Please download below the invitation and catalogue: